On March 28th, I flew from my home, New York City, to Tbilisi, Georgia, accompanied by Joel Harrisson, the artistic director of the American Pianists Association, who's the mastermind behind this trip of a trip. We flew Turkish Airlines, via Istanbul. Does any other airline have their logo on the wingtips of their planes?
Tbilisi seemed at first grey and depressed. It would grow on me hugely during the course of the nine days we spent in Georgia. It's a city in transition, with a vast architectural and cultural heritage but a lot of rubble and grime still left over from the 1991-92 civil war that followed the country's independence from the USSR. Driving into the city from the airport is a lesson in communist architectural history: the fairly well constructed apartment blocks built under Stalin (who was incidentally from Georgia and apparently felt that a worker was entitled to a decent living space — one good point for the infamous Man of Steel?), the shabby constructions of the Kruschev era, with as-low-as-can-be ceilings and limited living space. Kruschev was of the opinion that since a worker should be working most of the time anyway and hence would spend a limited time at home, it would be wasteful for his or her living space to be anything but strictly utilitarian. Or at least that's how Natia, one of the charming employees of the US Embassy who accompanied us on our Georgian adventure, put it.
Georgians are on the whole incredibly warm, real heart-on-the-sleeve people. In Soviet times, the country was the French Riviera of the USSR — a vacation retreat for those who could afford it, and really, what with some excellent local wine and delicious, subtil cuisine, it fits the bill perfectly. Georgians like to call themselves Mediterranean.
No comments:
Post a Comment